COLLECTED PLAYS OF SATISH ALEKAR (OIP)

Satish Alekar Mahesh Elkunchwar and Vijay Tendulkar constitute the trinity who wrote and produced some of the most influential and progressive plays of modern Indian theatre and in doing so shaped modern Marathi theatre. This volume of Satish Alekars plays includes some of his finestworks in translation Mahaniravan Mahapoor Atirekee Pidhijat Begum Barve and Mickey ani Memsahib. Alekar uses colloquialisms traditional Maharashtrian performance practices black humour and devices from the theatre of the absurd to create an oblique sense of reality in his plays.The first part of the book includes Mahanirvan 1974 which broaches a subject considered taboo in Indian theatredeathand defuses the sense of horror surrounding it to show it as an everyday occurrence. The second play Mahapoor 1975 presents a picture of the middleclass youth of Indiatorn between the philosophy taught to them and the grim reality of their existence. Atirekee 1990 takes a hard look at terrorism and presents it as a phenomenon that emerges from the circumstances of modern society. Pidhijat 2003 Alekars most recent play is a devastating satire on themalleability of morality in both tradition and modernity.The second part includes two plays Begum Barve and Mickey ani Memsahib. Begum Barve 1979 is a lament for the cultural forms that are lost to modernity. Barve is a throwback to the lost era of Marathi musicals and the play is about the protagonists final attempt at living his life on his ownterms an attempt that is cruelly crushed sadly by his longtime partner. Mickey ani Memsahib 1973 is a surreal play about an Amazonian woman who controls her scientist husband physically and mentally who in turn seeks his escape through his scientific experiments. The plot almost novelisticis a brilliant satire on the nature of scientific modernity.The plays have been translated by Gauri Deshpande Urmila Bhirdikar Alok Bhalla with Jayant Dhupkar Pramod Kale Shanta Gokhale and Priya Adarkar. Each part of the volume is prefaced by a critical introduction by noted theatre critic Samik Bandyopadhyay. This volume also includes an interview ofSatish Alekar by Bandyopadhyay. Rare photographs of the productions of these plays constitute a special section in the book. A must for students and scholars of modern Indian theatre and cultural studies this book will also be of interest to scholars of Indian literature in translation.